The Emotional Values Auction

“I found the method both creative and deeply meaningful, and it offered a refreshing perspective on how emotional values can be integrated into language teaching.” -Latvian English Teacher

“…unlike any traditional language teaching activity I had encountered before. Based on a conceptual art project, the session introduced the idea of using personal items that hold emotional value as a basis for classroom interaction. Students bring in meaningful objects, write emotional statements about them, and participate in an ‘auction’ by bidding with their own reflections. I found this approach fascinating as it blends reading, writing, speaking, and listening skills in a highly personal and emotionally engaging way. It encourages students to be vulnerable, empathetic, and expressive—qualities that are often underdeveloped in language classrooms.” -English Teacher in training from Turkey

“I was really inspired by your Emotional Values Auction idea…It was absolutely awesome! You were able to make me think about those aspects that have remained in the shadows to this day.” -Estonian English Teacher 

“The Emotional Values Auction” was not just about giving away objects but it was about sharing pieces of the heart. That made it truly unforgettable. It showed me that emotional value can often outweigh material worth, and that the act of giving can be even more meaningful when it’s based on understanding and empathy.” – Undergraduate Education student from Turkey

Introduction

An Emotional Values Auction (EVA) is a new, unique, and innovative methodology for teaching English. Based on a conceptual art process originally conceived of by Portland, Maine (USA), artist Adriane Herman, it replicates the structure of an actual auction. The process incorporates student skill development in the areas of writing, listening, reading, speaking and presenting. The context is both cognitive and emotional, as the students consider items to submit to an in-class auction that represent their experience with, for example, the emotions of generosity, pride, happiness, or loss. Students present their items to the class and expand on their experiences by telling their stories. Other students “bid” on the items that they feel a connection to. “Bids” are made by writing about why they think they would be good stewards for receiving the items “up for auction.” The submitted “bids” are reviewed by the original student donating their item, and that person selects the final recipient. No money is exchanged. The “currency” is shared experience and learning. Students report positive levels of satisfaction with the process based on several factors.

From a Unique Art Concept to an ESL Teaching Methodology

During the summer of 2023 while a friend was visiting from out of town, he suggested we take-in an art show in Portland, Maine. We expected a typical art show, but instead, found we had entered an art experience called an “Emotional Value Auction.” In consisted of displayed items that people were “letting go of” that had emotional value to them. The items were accompanied by written statements from the owners about what the item meant to them, and why they felt it was time to “let it go.” It was fascinatingly eclectic, that is, it included items as varied as a grandmother’s old flannel shirt, an antique leather diary, even an unused B-B Gun rifle from the early 1980’s.

Displaying “generosity,” an English student enters her artwork
into the auction.

Because it was an auction, you could “bid” on any item if you were somehow desirous of it. A visitor to this so-called Emotional Value Auction, could submit a “bid” on any item, or multiple items, by writing a statement about why they felt connected to it. The “bids” were collected during the several weeks the auction was underway and eventually they were given to the respective person who had originally submitted the item to the auction. That person would subsequently review all the “bids” placed on their item and select the one that “moved them,” or appealed to them, the most. The item was then awarded to that person.

Another English language student after her successful bid.

I thought that this process could effectively be adapted to an ESL teaching methodology, one that helped develop the skills of reading, writing, speaking, listening and even presenting. So, I designed an approach and piloted it last Fall in two of my English classes at Daugavpils University in Latvia. The results were amazing.

Follow-up evaluations indicated that students both valued and enjoyed the process more than other learning activities they had experienced while learning English. Furthermore, and to my surprise, students reported that the Emotional Values Auction process revealed aspects of classmates they had not known previously, for example, their interests, hobbies and skills. And as a result, many felt that the class had become a closer group of learners.

Since that semester, I have implemented the EMA is several additional Spring classes. The results have been similar, that is, students report enjoying the learning process, while at the same time, enhancing their English language skills, acquiring new related vocabulary, and reporting similar group development outcomes.

Recent Developments in the Baltic States English Teaching Community

A trio comprised of two U.S. State Department English Language Fellows (ELF’s), and a Specialist, developed a so-called “Road Show,” where we offered training for regional English educators hosted by area educational institutions. We dubbed these trainings, “mini-conferences,” as the participants were offered the opportunity to attend two-workshops on a Saturday or Friday morning. The Emotional Values Auction was one of these workshops, intended to introduce the methodology to teachers and to provide a Teacher’s Guide as follow-up to interested attendees. These workshops have been offered in Wroclaw in Poland, at the University of Tartu in Estonia, in Riga at the University of Latvia, and in Daugavpils. The reception to the methodology has been highly favorable as indicated by the representative comments quoted at the outset of this post.

Alfred Mercier, a noted early American playwright, novelist and philosopher, who spoke five-languages, said, “What we learn with pleasure we never forget.” The Emotional Values Auction process seeks to combine the cognitive aspects of language learning with a focus on emotions all while providing students with a fun and memorable learning experience.

If you are an educator, or have further interest in the Emotional Values Auction process, and would like a copy of the accompanying Teachers’ Guide, please contact Steven Schuit: Schuitstephen33@gmail.com

Emotional Values Auction Process: How it works

Standard

“That’s What It’s All About”

The Hokey Pokey (Song for kids)

You put your right foot in

You put your right foot out

You put your right foot in

And you shake it all about

You do the Hokey Pokey and you turn yourself around

That’s what it’s all about

Alla, pictured right, teaches this 4th Grade class here in Latvia. She was a student of mine in a specially designed “Advanced English” class for local English teachers. She invited me to come to her class and read to her students.

English Language Fellows (ELF ) work worldwide for the U.S. State Dept. We are, lifting a marketing phrase used by the Peace Corps, doing “the toughest job we’ll ever love.” Figuratively, we’re “soft diplomats.” Nothing could be closer to the truth. Every time we step into a classroom we represent the United States, whether it’s explicit, like when the State Department logos are pasted onto the first slide of all our PowerPoint presentations. Or, on the other hand, as I lead an informal English discussion group during the lunch hour and we loosely discuss topics such as traveling abroad or the success of the Latvian film Flow winning an Academy Award for best animated film. We are inevitably seen as representatives of the U.S. and what we convey, even what may be inferred by the locals, carries weight.

We “do the Hokey Pokey” day-in and day-out, by teaching classes at our assigned university or giving presentations at the local American Information Centers, usually funded by the respective country’s U.S. Embassy. But we also get countless requests by English teachers in the local community to come to their classes to be, as they say in baseball, utility players. Depending on the age of the students, your role as a guest speaker might include giving a presentation on the U.S. Education System, or reading a story about Fuzzy The Cat who thinks there’s a monster under his bed.

Yesterday, I kept a commitment I had made weeks ago to one of my students, Alla, a 4th grade English teacher here in Latvia. While attending one of my classes, Advanced English, designed for English teachers like herself, she asked, somewhat haltingly, if I could come into her class and read to her students. I never say “no.” And as we got things going in her classroom, I thought I would break the ice, by asking the students if they had any questions for me–it’s a quick way too of assessing the English-speaking ability of the group. After asking me what my favorite countries were (I said, South Korea and Hungary, after the U.S., of course), one student said she could say hello in Korean. “Gam-sahab-nida,” she said, with near perfect pronunciation. Then, in quick succession, a smaller boy said he could count to ten in Korean. Teacher Alla, sitting quietly in the back of the room, taking photos, looked shocked. And the young boy starting counting from one to ten, also with perfect enunciation. “Where did you learn to speak Korean?,” I asked, with genuine curiosity. “I take Taekwondo,” he said, with a proud smile. These priceless revelations all taking place before I had even started reading to the class.

These are the sweet moments, the places “in between.” The interludes not necessarily planned or assigned. And to an American English Language Fellow, dancing the Hokey Pokey on any given day, somewhere in the world, that’s really what it’s all about.

Standard

Just Curious, Why Did Curiosity Kill The Cat?

I’ve had a lifelong habit, some in my family would say, obsession, of checking where things are made. I have been laughed at for looking for dates of manufacture, or cranking my head upward to look for the year when a building was built. I am simply curious about such things.

Just the other day here in Tallinn, Estonia, we scheduled ourselves for a local tour, as we often do when visiting a new city. For The Communist History of Tallinn, we were greeted by young Marko, an outgoing local, half-Jewish Estonian, half-Bulgarian, he was quick to tell us. We are already curious. As he begins the tour he displays a single blue card about the size of a sheet of paper covered in plastic. It contains a series of dates, flowing like a river, depicting key events that took place here during WWII. It became the focal point for 10-minutes of jaw-dropping history. Marko had ignited our curiosity.

Our tour guide, Marko, piquing our curiosity.

Back in Latvia, I am working on a project with local English teachers. They’re interested in improving their teaching effectiveness in the areas of Critical-Thinking and Reading. Disconcertingly, reading amongst younger students, we discuss, is a waning skill. How can adults, parents and teachers, stimulate reading curiosity in their students?

A Youtube video reel flashes across my computer screen. It quickly describes 6-Japanese Productivity techniques, one of which is called Shoshin. Originating in the 13th Century, Shoshin is a Zen Buddhist concept based on the principle of approaching every activity with the same curiosity as a wide-eyed beginner-engaging with childlike wonderment.

Fear it appears, discourages curiosity. What one might find around the corner, or under that cover, might be too scary for comfort. And for those reluctant to step out of their Comfort Zones, curiosity, is best left for cats.

But I’ll continue to indulge my curiosity-checking labels to see where my clothes are made. Heck, I even check the occasional fire hydrant or manhole cover to see where they are manufactured. Perhaps not surprisingly, many these days come from foundries in India. I wonder, just how many cats have been killed by being too curious?

Standard